I drew these pictures for you

walking smoking pipe - SOLD


two arms - available in the shop


lightning bolts on this hand - available in the shop


man wearing a paper bag - SOLD


hairy pyramids with laser eyes - available in the shop


rather excited cubic zirconia - available in the shop


man wearing a booga wooga t-shirt - available in the shop


dinner plate with an eye patch - available in the shop

I've been thinking about audiences, and who artists make art for. When an artist is creating, is she or he thinking about the viewer? Are they thinking about the buyer, the gallery owner? Are they thinking about what their friends and peers might think? Are they thinking abut themselves? When you create a non-commissioned work, who do you think about?

Drawing pictures inside the books I sold through my shop was an interesting experience. Although I didn't customize them for each specific recipient, I was very conscious that it was for an individual who had taken the time to order a book. I didn't photograph or scan the drawings, which meant that they weren't going to be shared online. Each drawing had an audience of one. It changed what and how I drew. I often wrote "I drew this _______ for you", which seemed like such an appropriate caption. I liked how direct it was. There seemed to be less separation between the viewer and me. It was like I was leaving notes for people. From a creative standpoint, I found it strangely liberating. I came up with all kinds of new ideas for drawings, some of which materialized into the ones you see below. 

By sharing and selling my work online, I have a more intimate relationship with my audience than I would through a gallery or other third party (this does not mean I won't sell in galleries, in fact I look forward to doing so more). I acknowledge and embrace and am fascinated by this relationship, and I'm amazed by how it seems to grow and evolve, especially through the back-and-forth that occurs through twitter. I've become more conscious of it, and I'm allowing it to have an affect on my work. The medium is becoming part of the art.

Back to my book, one of the frustrations I had was my inability to ship it affordably around the world. It frequently cost over $40 to ship a $25 book anywhere other than within North America (my own country's postal system has something to do with that, as well as the book's weight). It highlighted just how global my audience is. I couldn't believe how many folks from non-English speaking countries wanted to order. And my book was essentially incompatible with sharing online.

Those are my thoughts so far. They are not fully formed, I know, but I wanted to start sharing thinking and talking about it. In the meantime, I drew these pictures for you. 

Comments

[uglygirl]

Aww...shucks. You're a doll.

[Natasha]

I wrote this comment just for you.

[twitter.com/Fenmere]

Thank you for sharing this project! I was directed here by a quick link from Michael Nobbs, during a time when I've been thinking about the same thing and working on a similar project.

I've been selling full illustrations at an introductory sale rate (raising the price slightly as I go). It's an experiment. Anyway, it's completely first come first serve, no prints. If an illustration isn't sold, the next person to buy one gets it. And if the next illustration is incomplete, then the first person to put money down on it gets it when it's done. The result is that early on, with the sale price so low, I was subconsciously drawing custom illustrations for people, thinking to myself, "Ooh, I hope they like this!" But I would not take instructions.

It's been a very eye opening exercise.

[Marc Johns]

Thanks for sharing that, Fenmere! I found it to be eye-opening too. I also found that since I was drawing pictures in the books for (pretty much) free, it was liberating. Not having a monetary value freed me up to stretch a little, try something new, create something unexpected. To the casual viewer they may look like my usual creations, but for me it generated loads of new ideas.

[ZAcktebo]

haha brilliant!

[r4 ds games]

You are posting great funny and interesting stuff over here. I like your style of writing and presentation.

[Dot]

Thanks for the smile.

[Ivonne M.]

You're such a great artist
congratulations
i really like your work

[Mary Bowen]

I AM 81 YEARS OLD AND SO ENJOY SENDING AND RECEIVING EMAIL LETTERS FROM MY FRIENDS AND FAMILY.I WOULD ENJOY DRAWING A PICTURE IN THE MARGINS OF MY EMAIL LETTERS BEFORE I SEND THEM I'VE BEEN LOOKING FOR 3 DAYS TO FIND OUT IF THIS IS POSSIBLE. WOULD YOU KNOW??
Thank you for your attention.